Oxmarket are delighted to welcome back the members of TEN:artists. They met while studying Fine Art at the University for the Creative Arts, Farnham and have exhibited together regularly since graduating in 2010. The work produced by the group is diverse and includes drawing, painting, print making, textiles, mixed media and digital art. Individual members of TEN:artists have met with success in a variety of ways including; work held in the collection at the V&A London, membership of the international textile group ‘Prism’, selection for the Jerwood Drawing prize and being shortlisted for the Royal Academy Summer Exhibition.

Angie Hauser's work primarily involves drawing and painting which is often figurative including portraiture. She also enjoys exploring texture and colour in abstract forms that emerge from the use of multimedia materials. Angie was recently selected for the first Guildford House Open exhibition. 

Diana Foden delights in taking humble, mundane objects, usually found within the home and aims to present them with an expanded presence and importance. Drawing and painting are her preferred media. This exhibition, ‘Out of the Ordinary’ is perfect for how she would like her work to be viewed. 

Emma C Tabor’s drawings include the use of repetitive marks that develop into unique forms. They reflect the complexity of systems containing multiple parts. She has recently been shortlisted for the Trinity Buoy Wharf Drawing Prize.

Colourism meets geometric abstraction in George Simpson’s work, which is completed in acrylics on canvas. The subject matter ranges from personal stories to social commentary and takes in the whimsical on the way.

Paulene Cattle uses textiles and print to convey her interest in the overlooked minutiae of her urban surroundings, often addressing the effects of man and nature on this environment. She is acutely aware of our impact on the planet and works solely with previously accumulated, recycled and found materials.   

Sandra Gratrix combines unusual and traditional materials in her drawings. In this series the use of watercolour, rust and gold leaf create semi abstract images of plants.

Oxmarket is proud to present Mind-Frame Essentials, a captivating group exhibition that delves into the core elements shaping human thought, emotion, and perception. Running from 29th October to 10th November 2024, this much-anticipated showcase will feature a diverse array of abstract artworks by 10 specially invited artists, each offering their unique interpretation of the exhibition’s central theme.

Mind-Frame Essentials explores the collaborative nature of the mind, offering audiences a chance to reflect on the inner workings of their own mental landscapes. Visitors are encouraged to consider how individual mental frameworks interact with and shape our collective reality, as the exhibition moves beyond traditional boundaries to create a space where possibilities are endless.

Come and enjoy work by Andy Stewart, b_app_tree aka Baiba Abelite, Imogen Pleydell-Bouverie, Ilze Preisa, Rafal Dobosz, Elina Sanda Zake, Peteris Lidaka, Liz Keyworth, Visvaldis Asaris, Ingrida Preisa.

Oxmarket are delighted to welcome back John Bradshaw for a solo exhibition in the Wilson Gallery. Since John was a small child, he has been inspired by the power of images, so as soon he could afford a camera, he began to put his instincts to work and has never really stopped. In 1997 he began to explore the creative possibilities of generating a coherent series of images linked to a theme. These “Projects” included The Grand Tour, Irish History, The Atlantic Slave Trade, The Greenwich Meridian and The Legacy of the Industrial and Agricultural Revolutions. These projects have been the subject of solo exhibitions in the UK and Ireland.

John has recently completed a study of the People, Places and Writings associated with the Isle of Wight and this work is the subject of the current Exhibition at the Oxmarket. The locations featured include Dimbola Lodge and the works of Julia Margaret Cameron (who lived here) together with Farringford, Appuldurcombe, Osborne House and Carisbrooke Castle with relevant quotations from Tennyson, Keats, W H Auden and others. PLUTO and its WWII connections are also covered, together with some Infra-Red Landscape subjects.

All of the images have been produced digitally and also include some ‘replicas’ of 19th century early photographic printing techniques.

John achieved the distinction of the Fellowship of the Royal Photographic Society (FRPS)  in 2005.

Emsworth Printmakers annual group exhibition will take place at Oxmarket Contemporary in Chichester from 15th – 27th October 2024.  A wide variety of printmaking techniques will be on show from nine of its talented members that includes; Julie Turner, Sue England, Fabiola Knowles, Jules Roper, Bea Veness, Sue Long, Carol Price, Louise Griffiths-Kimber and Jean Mallan.

Emsworth Printmakers is a proactive community of artists that meet regular to share their printmaking knowledge and to support each other on their creative and personal journeys.

Print enthusiasts can expect to see a mixture of screen printing, wood engraving, lino, collagraph and monoprint techniques on show mixed with some experimental approaches to printmaking.  All images and a selection of browser works and cards will be available for sale.

Artel will be joining us again this year for another exciting exhibition in the John Rank Gallery. ARTEL Contemporary Art Group is a pool of professional artists who work together to bring a rich and diverse range of artwork, subjects and media to communities, collectors and organisations through an annual exhibition in Chichester. Working in the South Downs area, each artist has developed a unique and informed practice that contribute to a strong selling exhibition each year. After many years of working to a theme, this October you will find the artworks reflect more of the individual artists’ personal subjects of interest. Artel was set up with the intention of adding a more contemporary edge  to Chichester’s historic art scene. It sought to challenge the norms; artists came together for discussions and sharing their work and community through mutual support and celebration. Today the current ARTEL artists continue to thrive.

Expect to see a diverse exhibition, covering a variety of art disciplines. Maureen Brigden (whose work was included in the RA’s Summer Exhibition 2024) is showing a modern day interpretation of 17th century Santos cave dolls, whilst Sandra Izard is showing mixed media paintings which are a response to her visit to Canada last autumn.

Sylvia Kopocek combines human, animal and imagined imagery, using colour and line. Deborah Michelson’s garden paintings, evoke the feeling of being in nature. Helen Solly is showing photographs and her metal sculptures, focusing on the surface of the metal and its reflections. Isabel Dodson creates narrative in her seascapes, using collaged newspapers. Bridget Woods aims to express energy - both visible and invisible - through the medium of transparent watercolour.

Sehila Craft, in her last year with Artel before moving to Dorset, is showing woven tapestries. Deborah Richards will be exhibiting unique print and mixed-media works inspired by local Harbour drawings. Tiffany Robinson creates oil paintings on chalk gesso board and are glimpses of the unexpected transcendence found in grieving; Tiffany says ‘death is the passing from one way of being to another, and relationship evolves and grows through the language of loss and miracles’.

Martin Smith’s paintings are conceptual, seeking to answer the Met office’s question “Can moonlight generate a visible rainbow?” Carol Naylor's stitched textiles are a response to land and skies observed in Yorkshire, Sussex, and Northern Spain. Lorraine Molin’s  recent work has been inspired by the colours and lines of landscape, buildings, weather, movement, trees and sea.

Oxmarket are looking forward to welcoming Kate Rosie to the Wilson Gallery. Kate says her driving force has always been a passion for art from being a young girl through to an adult. In this body of work Kate wanted to demonstrate different ways of working so as not to become formulaic.

For her upcoming exhibition Kate says ‘There are no limitations as to what one can do, and as we are all unique, that gives one permission to be unique in what we want to express visually through our art practice. Exploring and experimenting comes with ‘joy’ and it is vital to continue in that vein so my work keeps on being fresh and new. As I paint semi-abstracts in landscapes and seascapes, in addition to still life, collage, and more recently abstracts, I hope I am able to appeal to a wider audience in my choice of subject’

Kate is originally from the N.E. of England and travelled South with her then husband and a babe in arms in 1977. Art was a hobby Kate combined with bringing up a family. In 1997 Kate’s twin sister died of Cancer, and from then until now, she has tried to reclaim some sense of identity loss. Within three years of her twin’s passing Kate turned her hobby into serious study as she embarked on a Foundation Course and a Fine Art Degree (part-time) at UCA Farnham, over a period of seven years in total. Kate found this hugely challenging, however on the Foundation course she discovered a penchant for 3D. For the first three years of her five year degree she worked with raw materials, building and constructing installations. It was significant in as much as it provided Kate with an outlet for her grief, that she couldn’t do with painting. In the final two years of her degree Kate reverted to painting, and since graduating in 2006 has continued and found her passion again. Kate does this in honour of her twin, for the gift of creating and the life lived without her. Kate says ‘Any highlights can only be measured by my life after my twin and the love and support of family and friends who have also been on this creative journey with me’.

Oxmarket are delighted to welcome AG Creatives to the Wilson Gallery. The group can usually be found at Artisan Gallery in North Street, Chichester which they run together as a cooperative. AG Creatives is made up of artists and makers, several whom have been working professionally in their chosen genre for decades, others who are returning to art after time out. For the group, creating art is an urge that just can’t be ignored. Self-taught or formally educated the creation of art is what brought the group together, sharing what they create with the public enables them to carry on creating by financing their lives, expressing their passions, and helps to validate their work.

For AG Creatives, the idea of exhibiting together in a ‘loosely’ themed exhibition was a great creative challenge. Giving many of the group the impetuous to create something different and new from the work on display at their own Gallery.

In this exhibition they will have work from 11 artists and makers each inspired in their own way by the countryside and coast they reside near. AG Creatives felt that ‘one cannot avoid being influenced by the beauty of the Sussex and Hampshire downland and coast’. Each piece of art in the exhibition has come about with influence of the theme from the Downs to the Dunes, whether indirectly or purposely.

Consuo is an exhibiting group of textile artists who create 2D and 3D artworks using a variety of processes including weaving, knitting, stitching, dyeing, printing, basketry and mixed media.  Taking their name from the Latin for ‘to sew together’, Consuo Textile Art comprises alumni from the Masters Degree textile course at the University for the Creative Arts, Farnham.  

This exhibition, ‘Unravelling Textile Traditions’, will feature a wide variety of textile techniques and materials with inspiration stemming from the natural world, the built environment, from personal experience as well as from the materials themselves.  The artists in Consuo are continually exploring and investigating the traditional and the unconventional to produce uniquely designed and constructed work. 

Elena Sparke, for example, grows her own indigo plants and uses the dye to handprint patterns in a series of works that reimagine the handcrafted Verdure tapestries of the 17th and 18th centuries.  The original Verdure (foliage) tapestries featured woodland landscapes in greens and blues, and large leaves were often a dominant element.  Elena’s pieces address themes of memory, the passage of time, continuity of culture and the preservation of heritage.  A particular tapestry over the stairs at West Dean College was a part of her inspiration.

Deb King is inspired by the worn ledger stones in Chichester Cathedral. Her intricate silk passementerie involves hand spinning cords from very fine silk thread.  These are then placed in the warps to make pieces celebrating the interwoven lives of families and communities and the spaces they leave behind.  Passementerie is an endangered craft so it is especially encouraging to see it included here.

Tara Kennedy’s textile art is her response to the landscape of Iceland as winter changed to spring, with patterns and shapes created by the thawing snow and ice.  She uses exclusively Icelandic wool.

Consuo invariably produce innovative work that appeals to a wide audience. 

Oxmarket are excited to present Martyn Jones with a solo exhibition in the John Rank gallery for 2 weeks. Martyn Jones is a contemporary painter who works from his studio based in Cardiff, Wales. Jones graduated M.A. Fine Art, at Chelsea School of Art, London and was awarded Junior Fellowship at Bath Academy of Art. Among his tutors were the British artists Patrick Heron and Adrian Heath. Jones work is held in public and private collections across Europe and U.S.A.

Martyn says ‘My works are abstract, but the inspiration and basis for them are found in reality and the world around me. My experiences of the world are the prime material for abstraction, employing my personal alphabet of shapes and colour. My responses are really a stream of consciousness that I hope evokes the way in which I see the world, which to me is always a place of beauty’.

Oxmarket are delighted to welcome The 2021 Group with their first exhibition in the Wilson Gallery titled Elements. The five artists in this exhibition studied together on the Foundation Diploma of Art and Design at West Dean College of Arts and Conservation. As the course progressed, they each discovered different interests and a love for different media: Matt painting, print and photography, Grace charcoal, oils and the depiction of natural forms; Paul is a painter and printmaker, Sandra works in watercolour, acrylics and charcoal and Penny charcoal and acrylics. Their exhibition will take you from rural Surrey to Africa and the United States via fantasy forests and luscious bouquets, in intense monochrome and vibrant colour. The artists will be coming together again for an exhibition to showcase their work. Their styles are a mix of pencil, charcoal, acrylic, watercolour and print and should be an exciting and varied exhibition.

Oxmarket Contemporary has invited well known artists and makers, many of whom have a strong relationship with the Gallery, to participate in the Wish You Were Here Exhibition, this exhibition will be in both galleries for 2 weeks. The exhibition will celebrate ‘Where we live’ illustrating and reflecting aspects of our local area of Chichester, South Downs and the South Coast. A local scene, piece of architecture, a monument, the feeling of a hot summer’s day - an iconic image that we might send in a postcard to a friend or relative. The exhibition is being held at the height of summer, when people are on holidays, tourists are visiting our area and these artworks will also be representative of recognisable scenes to visitors to the gallery.

Alongside Wish You Were Here and as part of the exhibition we will hold a silent auction of ‘Postcards’. Oxmarket have invited around 90 local artists and makers to paint, print and decorate boards that represent postcards. The artists have been asked to illustrate something about where they live, in this local area, that they would want to send to a friend, loved one, relative. Also a recognisable ‘place’ to the gallery visitors, who may be tourists/visitors in the area. These will be on show in a mini gallery throughout the exhibition and there will be a Silent Auction on paper, bids placed in a sealed post-box in the Gallery, the highest bid winning the purchase of the individual item at the end of exhibition.

Oxmarket is thrilled to present Equus. a celebration of the long storied connection of Sussex to the equine. It is one that is constantly being renewed in racetracks like Goodwood or Fontwell, in polo matches at Cowdray Park, and hacks through the South Downs. The indelible marks of this connection can be seen in the soil itself, from flurried hoofprints to the chalked form of the Litlington White Horse.

Throughout the year riders travel from around the world to Sussex to build on this rich heritage. A richness that is matched in paint and clay as both local and international artists gather to show work capturing the various aspects of horses. Their work ranges from dynamic and immediate studies of Andalusian dressage horses, to finely wrought oil paintings of dignified racehorses, to titanic watercolours capturing power and grace in vibrant marks.

Oxmarket are delighted to welcome Nicole Phillips for a solo exhibition in our Wilson Gallery. Nicole’s exhibition, "The Joy of Being," explores the profound experience of being fully present in each moment, guided by an intuitive combination of observation and feeling. This collection embodies her unique perspective on the world, capturing the enchantment of life's subtle details through deliberate brushstrokes, nuanced tones, and vibrant colours. These elements fuel Nicole’s creative process, infusing her work with energy and inspiration. As she navigates through a variety of themes — from the sweeping vistas of landscapes and seascapes to the intimate charm of still life — she is experimenting with different materials. Nicole’s goal is to inspire viewers to embrace the beauty around them, encouraging a deeper appreciation for the natural magic that our everyday environment holds.

Oxmarket are delighted to showcase work from the Sussex County Arts Club - ‘Volunteers and Prize Winners Show’ which is based in central Brighton and is open to both amateur and professional artists.  The Club was formed in 1944 by a group of disaffected artists from The Brighton Arts Club who were unhappy about their policy of not allowing female members. The premises are still where they are today, in Bond Street Cottages, a building currently with five studios that had previously been the Green Room Club, a late-night watering hole for the clientele of the Theatre Royal.

From 1944 the club thrived with large exhibitions in various locations including Brighton Museum and the Hove Library gallery. By the mid 1960’s the club had 300 members, with several branches in other parts of the county. There is a varied programme alongside the drawing and painting sessions that includes lectures and in the summer months outside sketching and weekend schools with tutors.

Sussex County Arts Club are a non-profit making organisation run by volunteers but they do pay for bookkeeping/accounts, a cleaner and of course their models! Their aim is to provide the community with cheap and affordable art sessions for all.

The art work coming to the John Rank gallery will be a mixture of painting, drawing and sculpture. One of the members will be at Oxmarket giving a talk on anatomy during their 2 week exhibition.

Oxmarket are delighted to showcase two printmaking groups in the John Rank gallery. Exhibiting together for the first time, Richmond Printmakers and Southbank Printmakers are a group of 25 artists. They are professional printmakers, promoting and preserving the traditions of printmaking whilst also exploring and embracing new and experimental approaches to making original prints. The practice covers a wide variety of printmaking techniques including etching, mezzotint, wood cut and engraving, linocut, screenprint, collagraph, monotype, and lithograph. This exhibition aims to show how varied and exciting printmaking can be. All the work in the exhibition is original and handprinted.

Oxmarket Contemporary are excited to welcome back Don Noble for his third exhibition, having exhibited in 2011 and 2015. Don usually sells to private collectors and has recently undertaken some portrait commissions.  Don is inspired by contemporary life and the uniqueness of being in a specific place and point of time, the poignancy of that and the need to mark and celebrate it. Most recently Don has been working from his studio in Billingshurst focusing on imaginatively interpreting “ The Uninhabitable Earth“ a  book by David Wallace Wells about global warming and what could happen in the future. Inspired by reading this, Don has created a series of 8 paintings entitled “A View of the World”, which are very topical right now. These new paintings have a surreal quality to them and give the viewer food for thought. Don says ‘My painting is a personal  exploration and I am never sure what the outcome will be’.

Tea Coffee & Tequila, the brainchild of artists Louise Duggan and Bobby Dazzler are back again with a brand-new show at Oxmarket Contemporary this June.

After the standout success of their shows last December & this February, the duo are back to bring you their new event – Art is(t) Life – A print-based showcase of some of Sussex’s most interesting artists working today.

The duo are keen to support and champion local talent, offering an eclectic show of emerging and more established artists. The show takes over the more intimate Wilson Gallery and is designed to compliment the University of Chichester’s Fine Art  Degree Show in the larger Rank Gallery during the same period.

‘We’re excited to see what the young talent produces as they begin their journey in the creative world – we hope to inspire them by showing them what can be produced by artists a little further along in their journey for whom art is life’ said the duo.

Artists include Louise Duggan, Bobby Dazzler, Wocco, Tamp, Marnie Glue, Bimbi Urquhart, Curly Mark, Leyland Fairchild, Billzie, Freddie Bella & Kimberley Nicolle

Oxmarket are looking forward to welcoming the University of Chichester’s Fine Art Graduates for their Fine Art Degree Show. The Exhibition is supported by The Arts Society and will show in the John Gallery for 2 weeks. The group have largely known each other since 2021 when they started their Fine Art BA degree at the University of Chichester. They’ve each developed a unique and particular way of working in Painting & Drawing, Printmaking, Textiles and/or Sculpture that reflects 3 years of focused development. Each graduate has a clear material practice, an understanding of how Art can embody current ‘ideas’, and a professionalism that signals a way forward as artists making work that’s interesting and relevant.

These 14 artists have each developed a way of working that’s unusual and personal, and all have been heavily influenced by modern and contemporary artists in terms of technique, style and the ideas inherent in the work.   They have clear intentions in their work and have spent years refining their ability to communicate messages and feelings. These are often ambiguous, requiring the audience to negotiate their way into the work and fill in the gaps.

The 14 artists are Paul Bellingham - painter, Gemma Burns - painter, Madeleine Conrad - painter, Ella Demi – textile artist and painter, Poppy Elstob - painter, Nadia Francis – textile artist, Laura Hackett - painter, Jasmine Johnson - painter, Bella Kim - painter, Bel Lowe – painter and installation artist, Abigail McDonagh - painter, Sana Legh-Ellis – sculptor and printmaker, Deborah Rainsford - painter, Gabriela Witkowska – textile artist. Each artist has a unique approach to Painting & Drawing, Printmaking, Textiles and/or Sculpture, one that reflects their artistic journey and personal biography.

Oxmarket are looking forward to hosting The Chichester Art Society Annual Summer Exhibition in both the John Rank and Doris Wilson Galleries. Founded in 1939 Chichester Art Society offers many varied and exciting opportunities to creative people from the local area.

The Chichester Art Society is a flourishing, expanding and supportive group who meet weekly to develop their personal practices in an encouraging and friendly  environment with regular visits and workshops from established artists who inspire, challenge and enrich members own work. The Society offers a friendly welcome to all artists and provides a varied programme of demonstrations, talks and sketching outings for members and visitors. 

The exhibition at Oxmarket Contemporary will display a very wide range of creative outcomes and will be an opportunity to purchase artwork from new and established artists at affordable prices.

The Chichester Art Society is at the heart of the art community in Chichester and the surrounding area and is for everyone interested in art, offering an opportunity to hear from professional artists about new ways of working and to share ideas with our fellow artists.

Oxmarket are looking forward to welcoming The Makers’ Art Collective to the Wilson Gallery for a 2 week exhibition. This exceptional group of artists came together in 2019 through the application of academic rigour to their work in the form of MA degrees. Each artist addresses current societal issues and changes through the lens of their own experiences and histories, with distinct characteristics.

This includes reference to memory, identity, people, place and time and environment. Having shown first in 2019 at the OXO Tower in London The Makers’ Art Collective now come together again to reconnect with the community, the environment and with each other.

Each artist challenges perceived uses of their media to create new approaches, showcasing considerable skills in their respective specialisms and pushing the boundaries of art and design through contemporary practice as well as using personal histories to create their work. Jennifa Chowdhury's exploration of contemporary expressions of heritage, identity and belonging are reflected in her visual language, which is influenced by Islamic geometric pattern construction, while her process-driven creative practice emphasises the fundamental roles of light, shadow, and movement. The artist Sharon Kearley discusses how her work investigates the potential of the emotional, physical and hidden line within the landscape, perceiving the linear as a ‘connector’ of people, place and time. Researching archive maps, forgotten paths and the rhythm of walking, she investigates qualities of trace and fluidity through a playful and innovative approach to weave, drawing on ephemeral, spatial qualities and narrative to produce artworks for installation and exhibition.

This artwork offers original and exciting works that can both delight in their vibrant aesthetics and prompt a very real human response. This is very evident in the work of the various artists. Textile artist Dawn Thorne says how her practice investigates relationships between embroiderers, their tools and materials, and how the body interacts with the cloth and visualises how this is evidenced on the creative outcome. Tracy Dryden-Jones’ ceramic forms reflect the woodlands, undulating valleys and rugged moorland which surround her Yorkshire home. Using metals Samantha English seeks to capture the fragments, preciousness, decay and sensations of memory. She says, our memories are scattered and frayed at the edges, they are at the mercy of our emotions and desires and carry the complexity and weight of our own narratives. Paula Reason builds on her background as an architect to explore, through textiles and oil painting, the relationship that we have with the built environment. Our surroundings, at their best, are like a comfort blanket to our lives. At their worst, the opposite is true, and these should be challenged.

The close examination of each work will provide surprising detail and skill. One aspect of Siân Highwood’s current work is to use petals to form vessels reflecting the demise of summer each year. Award-winning artist and designer, Helen Twigge-Molecey’s practice incorporates eclectic interests from the hand-made to the industrial. Her work ranges from toy and product design to conceptual art and large-scale public installations. Often playing with light, colour, pattern and perspective, underpinning Helen’s work is a desire to make it beautiful, simple, accessible and fun.

Oxmarket are delighted to welcome 12 members of the The Sussex Guild to exhibit at Oxmarket for the first time in the John Rank gallery for a two week exhibition. The Sussex Guild is a group of professional designers and makers of fine contemporary and traditional craftwork, whose members live and work in Sussex and the adjoining counties of Kent, Surrey and Hampshire. Members have been selected for their high degree of skill and creativity. Twelve craftspeople whose media and techniques include, wood, metal, glass, ceramics and textiles, will present a varied show of high quality collectible pieces. All of their work is made in Sussex, much is inspired by Sussex. They are keen to excite and encourage public appreciation of fine craftsmanship through shows, exhibitions, open studios and classes across Sussex and beyond through the year.

Although The Sussex Guild has changed and grown over the years since its foundation in 1970, the original spirit still remains. They continue to be an autonomous, self-help organisation and their aim is to promote and sell their work together. Now, as before, a very special bond of friendship and support exists between members.

Oxmarket Contemporary has curated and proudly hosts a stunning 2 week botanical exhibition “Art in Bloom” across both the John Rank and Wilson Gallery to coincide with RHS Chelsea Flower Show.

Local artists participating, will showcase their interpretation of the theme with all types of art and media. Flowers, plants, fruits, everything that reflects the title representing a wide range of techniques and styles from traditional prints and paintings to ceramic, jewellery, textile and 3D creations.  

The two-week event, from May 14th to 26th, will immerse you in a fusion of horticultural horizons in tune with the delight, colour, and scents of spring.

Whether you are a keen gardener, a flower lover or simply want to admire the breath-taking landscapes and blooming flowers come in and take a look, there’s something for all budgets and tastes!

Don’t miss the exhibition of arts, crafts and design that embraces sustainability, celebrates joy and natural beauty or book onto one of our paper peony flower making workshops run by Clare at Petal and Bird. Book Here.

Oxmarket Contemporary are looking forward to welcoming The Borderlands Artists for their exhibition in the John Rank Gallery for 2 weeks.

The Borderlands Artists are a long-established group of professional contemporary artists who live on the borders of Surrey, Hampshire, and Sussex. The members include painters, printers, sculptors, ceramists, and photographers. 

This exhibition will showcase each artist’s work and is an eclectic mixture of large and small works from large vibrant abstracts to smaller floral watercolours, large theatrical and miniature still life oil paintings, contemplative acrylics, mixed media with collage and print. Come along and immerse yourself in this diverse collection.

Oxmarket is delighted to display a collection of work by Elizabeth Jane Lloyd (1928-1995) in the Wilson Gallery. A colourist in the grand tradition of English colourists, her bold brushstrokes lay together to build dappled images in oils of luminous flowers against subtle ceramic and soft fabrics. She was a contemporary of Mary Fedden and Julian Trevelyan, and her vibrant still life’s and landscapes echo with the melodies of Cezanne and the post impressionists.

Lloyd’s talents sprung up from an artistic family and were later honed in the Chelsea School of Art and the Royal College of Art. Much of her life was spent teaching, both from her studio and in various institutions, including at Central St Martin’s, the Cambridge School of Art and a number of others. Alongside this, and raising her four children, she produced a body of work that marries a sophisticated mastery of colour with a sense play - breathing an expansive feeling of life into each painting.

Oxmarket are once again delighted to welcome Chichester Open Studios to the John Rank Gallery in April for a 2 week exhibition.
Since its inception in 2001, this esteemed event has evolved into a celebration of creativity, this year Chichester Open Studios are featuring 149 talented artists who open their studios, homes, shared venues, workshops and even garden sheds to the public.

After exhibiting at Oxmarket the Open Studio artists open their creative spaces to the community; where they can meet their audience in person, exploring their themes and processes with others and gain a fulfilling insight into why others are interested in their art. Visitors can learn directly from the artist and find out how they create artworks and processes used.

Divided into six distinct areas — City, Harbour, Downs, Eastward, Seaside and Peninsula, this event invites you on a journey of artistic discovery. Mark your calendars for May 18th, May 19th, May 25th, May 26th, and Bank Holiday Monday, May 27th, as Chichester Open Studios welcome you to immerse yourself in the rich tapestry of artistic expression across Chichester. Whether you choose to explore each area individually or venture through a variety of categories, the Art Trail promises an unforgettable experience of discovery and inspiration.

There are often demonstrations and artwork is also available to purchase and commissions are welcome. Some of the artists are full-time professionals, others create on a part-time basis and some enjoy creating in their spare time. One thing is for sure, Chichester is an incredibly artistic area with a huge talent base. All of the artists are passionate about the art-world and are looking forward to sharing what life is like as an artist with you.

Ian White will be joining us in the Wilson Gallery with a thought provoking new body of work. In “Moonlight Sonata 1940” Iain combines research, reflection, and a painterly touch to produce evergreen depictions of the senseless destruction of war, and the community that rose in the ashes.

The series began with a discovery: A collection of photographs and newspapers from the 1940’s found in his mother’s house. This instigated a period of reflection on loss and resilience, both of the Coventry Blitz and of the artist’s childhood growing up in its aftermath. Iain has twined this emotional strand with scholarly research to create a series centred on “Moonlight Sonata” the German code name for the Luftwaffe strike on Coventry in November 1940.

Using a restricted palette to suit the gravity of his subject matter, Iain sensitively portrays the destruction and loss of the Coventry Blitz and the stoicism of the people who faced it and rebuilt. A blend of representation and abstraction contrasts solid grounded figures with impressionistic wavering wreckage. This is carried out in a manner and style reminiscent of war artists such as John Piper, Graham Sutherland, and Henry Moore, while also being entirely Iain’s own. Brushstroke building on brushstroke to craft images of conflict and recovery that are at once personal and universal.

Oxmarket are delighted to welcome Christopher Cristóbal Newberry with his ever-evolving work, encapsulated in his exhibition, “Transitions”, which depicts his work at different phases of his development.  He is fascinated by symmetry, repetitiveness, cycles, change, progression.   His use of intense colour is very much influenced by his upbringing in Mexico, but his interest in truth, reality, perception and beliefs has been developing over the years, especially since the advent of the ‘post-truth world’.

As he puts it, he is “pulling at the heartstrings with the neurons of the mind”.  He has photographed parts of reality – scenes, objects or people.  Christopher says, “a photograph is literally light that has bounced off reality and into the camera”.  He transforms this reality into either impossibly ‘perfect’ images or into abstractions. According to Garry Kenard, director of Art and Mind, “in Newberry’s pictures all aspects of the image are enhanced, from heightened colours to exaggerated symmetry to sharpened horizons and outlines. All of this leads to an art which can transform our emotional perception of the material world”.

 Christopher’s ‘transitions’, have been:

1.    “Gestalt Blue Skies”:  In Gestalt theory, when we are presented with a partial view of an image, we 'complete the picture'.  We invent the parts we can’t see.  We give it meaning, regardless of whether it is true or not. 

2.    “Platonic Views”:  Plato thought that our world was merely the shadow of another 'ideal', perfect world.  The post-truth world presents us with simple, ‘ideal’ solutions to complicated problems.  Like all ideals, they only exist in the mind and not in reality.

3.    “Lockdown”:  During the Covid lockdowns people were forced to look at their immediate surroundings and routines with much more time and attention. The Lockdown series consists of composite images reflecting the world at home or the mind. 

4.    “Abstractions”:  Three dimensional reality is turned into flat, abstract images using the same palette of 20 colours.

5.    “Moon Shots”:  Every night, all over the world, no matter where one is, everyone sees the same moon.  It looms over all humanity.  Perhaps judging our follies.

Christopher was born and brought up in Mexico City.  He studied Communications at the Universidad Iberoamericana.  After completing his studies, he decided to travel hitchhiking in Europe.  When a few months later he ran out of money, he went to London. Through a series of fortuitous circumstances he worked as a housing adviser in Notting Hill.  Five years later he and his partner went to Mexico, where he directed documentaries for Mexico’s cultural television channels.  He and his partner returned to London where he worked as a freelance photographer and designer.  

He has exhibited extensively in Mexico City, London and Winchester. Most recently he has exhibited at The Link Gallery, Winchester; Dean Clough Galleries in Halifax; the Creative Innovation Centre in Taunton; Hampshire Open Studios; Creates Gallery, in Bournemouth; The National Art Museum in Constanta, Romania; The Other Art Fair, King’s Cross, London; The Light Room, Alresford.

Exploring the ways in which the Beat Generation engaged with other forms of art, this exhibition takes its name from a quote from one of the movements leading figures, Jack Kerouac: “'Burn, burn, burn like fabulous yellow roman candles exploding like spiders across the sky”.

Whilst most famous for their writing – Howl, On The Road, Naked Lunch, Gasoline, -Allen Ginsberg, Jack Kerouac, William Burroughs, along with Gregory Corso, experimented with other creative forms such as drawing, art, performance, music, photography and film.

The results were experimental, colourful, incandescent, riotous, unpredictable, and often seen as scandalous. As well as highlighting these Beat Generation explosions, focus falls also on two other dimensions of these Beats' work: Kerouac's close collaborations with the photographer Robert Frank, and the ways in which the Beats' debts to Romanticism created fascinating links to Romantic writers with local links to West Sussex/Chichester, such as Ginsberg's debts to William Blake.

Whilst this multi-media exhibition emphasises the Beats' writings, their art and their many other creative activities will be explored, some in audio-visual formats.  Jack Kerouac’s quote used for the exhibition's title, perfectly sums up both what the Beats sought to do and what this little exhibition seeks to display.

The exhibition is curated by Beat Generation fans and experts:  University of Chichester Professors Dick Ellis and Hugo Frey and our very own Martyn Bell,  Trustee of Oxmarket Contemporary.

In March the Wilson Gallery will welcome The Philpots, 3 artists from the same family. The exhibition is titled ‘Still and Life and Art’ and will bring together 3 very different styles of work.

Ellie Philpot studied art in London and West Sussex and loves to create unique contemporary pieces that bring statement, perspectives and colour into a space. Ellie loves to use the everyday things around her as her subjects and strives to include narrative in her work, she is interested in the laws of nature and how the qualities of light and shade create form. 

Adam Philpot is a paramedic by background but a keen photographer in his spare time. He lives and works in Hertfordshire and his photography follows him everywhere. Using a mix of film and digital mediums to explore life as it passes and he hopes the viewer can appreciate the significant things he includes.

Karah Philpot studied art until A level and is now a teacher. She has returned to painting and uses gouache, acrylics and some watercolour to create colourful, straightforward and often humorous work. Motivations behind her pieces are the desire for the viewer to participate, inviting them to become an active part of the artwork.

The John Rank Gallery at Oxmarket will host Continuum for a 2 week exhibition. Continuum is a unique collaboration of MA and PhD alumni artists and makers from the UCA network in Farnham, who are now scattered across the south of England from London to Wales.

Whilst developing their own practice through innovative craftsmanship and expertise, many continue to explore the boundary between the crafts and the arts. Collectively Continuum stage regular exhibitions and present their work for public scrutiny and sale.

Continuum members work across many disciplines and techniques from textiles to metal, exploring themes such as the written word, colour, landscape, self-discovery, development and healing. As a collective the members aim for their work to be the catalyst for conversations, joy and reflection.

Continuum makers are experts and explorers in their crafts. Having all achieved an MA or a PhD they come from a place of deep exploration, development and experimentation. Their work is likely to be thematic and research led, leading them to hone new skills and techniques.